That is no country for old men. The young | |
In one another's arms, birds in the trees | |
- Those dying generations - at their song, | |
The salmon-falls, the mackerel-crowded seas, | |
Fish, flesh, or fowl, commend all summer long | 5 |
Whatever is begotten, born, and dies. | |
Caught in that sensual music all neglect | |
Monuments of unageing intellect. | |
| |
An aged man is but a paltry thing, | |
A tattered coat upon a stick, unless | 10 |
Soul clap its hands and sing, and louder sing | |
For every tatter in its mortal dress, | |
Nor is there singing school but studying | |
Monuments of its own magnificence; | |
And therefore I have sailed the seas and come | 15 |
To the holy city of Byzantium. | |
| |
O sages standing in God's holy fire | |
As in the gold mosaic of a wall, | |
Come from the holy fire, perne in a gyre, | |
And be the singing-masters of my soul. | 20 |
Consume my heart away; sick with desire | |
And fastened to a dying animal | |
It knows not what it is; and gather me | |
Into the artifice of eternity. | |
| |
Once out of nature I shall never take | 25 |
My bodily form from any natural thing, | |
But such a form as Grecian goldsmiths make | |
Of hammered gold and gold enamelling | |
To keep a drowsy Emperor awake; | |
Or set upon a golden bough to sing | 30 |
To lords and ladies of Byzantium | |
Of what is past, or passing, or to come. | |