| I | |
| |
| I walk through the long schoolroom questioning; | |
| A kind old nun in a white hood replies; | |
| The children learn to cipher and to sing, | |
| To study reading-books and histories, | |
| To cut and sew, be neat in everything | 5 |
| In the best modern way - the children's eyes | |
| In momentary wonder stare upon | |
| A sixty-year-old smiling public man. | |
| |
| II | |
| |
| I dream of a Ledaean body, bent | |
| Above a sinking fire. a tale that she | 10 |
| Told of a harsh reproof, or trivial event | |
| That changed some childish day to tragedy - | |
| Told, and it seemed that our two natures blent | |
| Into a sphere from youthful sympathy, | |
| Or else, to alter Plato's parable, | 15 |
| Into the yolk and white of the one shell. | |
| |
| III | |
| |
| And thinking of that fit of grief or rage | |
| I look upon one child or t'other there | |
| And wonder if she stood so at that age - | |
| For even daughters of the swan can share | 20 |
| Something of every paddler's heritage - | |
| And had that colour upon cheek or hair, | |
| And thereupon my heart is driven wild: | |
| She stands before me as a living child. | |
| |
| IV | |
| |
| Her present image floats into the mind - | 25 |
| Did Quattrocento finger fashion it | |
| Hollow of cheek as though it drank the wind | |
| And took a mess of shadows for its meat? | |
| And I though never of Ledaean kind | |
| Had pretty plumage once - enough of that, | 30 |
| Better to smile on all that smile, and show | |
| There is a comfortable kind of old scarecrow. | |
| |
| V | |
| |
| What youthful mother, a shape upon her lap | |
| Honey of generation had betrayed, | |
| And that must sleep, shriek, struggle to escape | 35 |
| As recollection or the drug decide, | |
| Would think her Son, did she but see that shape | |
| With sixty or more winters on its head, | |
| A compensation for the pang of his birth, | |
| Or the uncertainty of his setting forth? | 40 |
| |
| VI | |
| |
| Plato thought nature but a spume that plays | |
| Upon a ghostly paradigm of things; | |
| Solider Aristotle played the taws | |
| Upon the bottom of a king of kings; | |
| World-famous golden-thighed Pythagoras | 45 |
| Fingered upon a fiddle-stick or strings | |
| What a star sang and careless Muses heard: | |
| Old clothes upon old sticks to scare a bird. | |
| |
| VII | |
| |
| Both nuns and mothers worship images, | |
| But those the candles light are not as those | 50 |
| That animate a mother's reveries, | |
| But keep a marble or a bronze repose. | |
| And yet they too break hearts - O Presences | |
| That passion, piety or affection knows, | |
| And that all heavenly glory symbolise - | 55 |
| O self-born mockers of man's enterprise; | |
| |
| VIII | |
| |
| Labour is blossoming or dancing where | |
| The body is not bruised to pleasure soul. | |
| Nor beauty born out of its own despair, | |
| Nor blear-eyed wisdom out of midnight oil. | 60 |
| O chestnut-tree, great-rooted blossomer, | |
| Are you the leaf, the blossom or the bole? | |
| O body swayed to music, O brightening glance, | |
| How can we know the dancer from the dance? | |