I | |
Among twenty snowy mountains, | |
The only moving thing | |
Was the eye of the black bird. | |
| |
II | |
I was of three minds, | |
Like a tree | 5 |
In which there are three blackbirds. | |
| |
III | |
The blackbird whirled in the autumn winds. | |
It was a small part of the pantomime. | |
| |
IV | |
A man and a woman | |
Are one. | 10 |
A man and a woman and a blackbird | |
Are one. | |
| |
V | |
I do not know which to prefer, | |
The beauty of inflections | |
Or the beauty of innuendoes, | 15 |
The blackbird whistling | |
Or just after. | |
| |
VI | |
Icicles filled the long window | |
With barbaric glass. | |
The shadow of the blackbird | 20 |
Crossed it, to and fro. | |
The mood | |
Traced in the shadow | |
An indecipherable cause. | |
| |
VII | |
O thin men of Haddam, | 25 |
Why do you imagine golden birds? | |
Do you not see how the blackbird | |
Walks around the feet | |
Of the women about you? | |
| |
VIII | |
I know noble accents | 30 |
And lucid, inescapable rhythms; | |
But I know, too, | |
That the blackbird is involved | |
In what I know. | |
| |
IX | |
When the blackbird flew out of sight, | 35 |
It marked the edge | |
Of one of many circles. | |
| |
X | |
At the sight of blackbirds | |
Flying in a green light, | |
Even the bawds of euphony | 40 |
Would cry out sharply. | |
| |
XI | |
He rode over Connecticut | |
In a glass coach. | |
Once, a fear pierced him, | |
In that he mistook | 45 |
The shadow of his equipage | |
For blackbirds. | |
| |
XII | |
The river is moving. | |
The blackbird must be flying. | |
| |
XIII | |
It was evening all afternoon. | 50 |
It was snowing | |
And it was going to snow. | |
The blackbird sat | |
In the cedar-limbs. | |